Sunday 18 February 2018

'Tosca' at the Royal Opera House

Last week I was lucky enough to see the Royal Opera perform 'Tosca' at the Royal Opera House, coincidentally, on the same evening it was broadcast live to cinemas. I saw 'Tosca' a couple of years ago performed by the English National Opera so it was nice to have the opportunity to see the Royal Opera put their spin on the tale. The story behind the opera is quite simple but riven with emotion and the music is just gorgeous (thank you Mr Puccini).

Mario Caravadossi is an artist painting in a church in Rome in 1800 and, although he uses a strange women who visits the church as his model for Mary Magdalene, his love belongs to Tosca. Floria Tosca is a famous singer with jealous, dark eyes, who comes to visit her lover to arrange a tryst later that night. But a senator has escaped from Castel Sant'Angelo and is hiding in the church and Caravadossi pledges to help him escape and the downfall of our lovers is set in motion. Baron Scarpia pursues the senator to the church and misses him but encounters Tosca who he's lusted after. He doesn't want to seduce her, he wants to conquer her, to own her and move on. The Baron arrests and tortures Caravadossi and will only release him if Tosca submits... and she does, to save her lover, before stabbing the Baron in the heart after he's given her a note of safe passage out of Rome with her lover. The man who is feared by all Romans and he's killed by Tosca for her love of Caravadossi.

The Baron plays true to form and he's lied to Tosca. She visits Caravadossi before his execution which should be fake but isn't and he's shot., When the troops come to catch Tosca for killing the Baron she refuses to submit and throws herself from the battlements of Castel Sant'Angelo. A great heroine who died for love.

'Tosca' is an astonishing piece of work by Puccini, edited from a longer play he saw to make a powerful three act opera. All the ingredients are there - love, jealousy, death, heroism, patriotism, lust, death and immortality - all melded into a rather simple story that wraps itself around you and pulls you into it before you've even noticed. Floria Tosca is a great heroine - her dark eyes might be jealous eyes but they're your eyes if she loves you.

Our beloved Tosca was sang by Adrianne Pieczonka and Caravadossi by Joseph Colleja with the Baron (boo! hiss!) sung by Gerald Finley. They were all in excellent form as was the Chorus of the Royal Opera.The lighting and set were great but I thought the final set for the roof of Castel Sant'Angelo could've done with a bit more work. I visited that roof last year in honour of Tosca so I know what it looks like.

Thank you Royal Opera, you didn't let me down.

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